"This isn't just sad," I said. "These are the best stories. The ones that take someone's suffering and shape it, form it, use it. As writers, we take this character—you, me, Chanie, even baby Liam—who might be feeling lost, and scared, and brave, and determined all at once—and we give them love by paying attention. We will almost always find understanding. Even a bit of magic. Even if it's fifty years too late, it counts. It matters to try, and this is art."