Her Ashes Will Ride In My Glove Compartment

My second daughter died on our sidewalk. Just a few steps from our front door.

Everything was fine and then it was over.

I walk over that patch of land nearly every single time I leave the house. My firstborn daughter rides her scooter over the spot, back and forth, screaming and hollering as she glides down the path. Our bedroom is in the front of the house, as close to the scene as you can get without being outside. A street lamp shines through our curtains in the darkness, like a beacon, as if it shines to remind me. Crickets hop between grass and concrete and I can hear them chirp, chirp, chirping away, into the evening and throughout the night.

The slab of concrete where she died just sits there idly still, two feet by two feet, day after day, gray and lifeless.

I thought my home would be ruined for me after she died. I thought it would be impossible to spend every day and night in the exact same place where her life abruptly ended. I wondered how I could avoid walking on that stretch of cement, how I could ever step foot on it without wanting to weep, or build a monument, or take a sledgehammer to it.

I wondered if this city would be ruined for me too.

I'm realizing now, after twenty-one months without her, that these places are all I have.

This was the last place she was alive. It was the last place our living bodies came into contact as I hugged her Mother, my belly against her body, a few minutes before it was over.

It's here in my home, here in this city where I've bonded with her through support group and countless conversations with my wife, through experiencing her with our friends and grieving with my living daughter, by watching my subsequent son being born in the exact place his sister died. We may not have brought a living daughter home from the hospital, but we have spent month after month parenting her, connecting with her, here in this place, even in her absence.

+++

In two weeks time, we will be packing up our meager possessions and moving from Los Angeles to Indianapolis, some two thousand miles to the East.

Los Angeles is where she was conceived, on a blistering July night, bedroom windows open. Los Angeles is where she miraculously grew and where we first saw her and where we felt her kick and where we set up her nursery. And Los Angeles is where she died on an overcast Thursday afternoon. It’s where we last held her and where we said goodbye. It’s the place we faced our greatest darkness, the place our friends whispered her name and lavished us with understanding and kindness. It’s where we spread her ashes, where we have spent night after night talking and crying over our lost baby girl. And we’re leaving it all behind.

The sidewalk isn’t coming with us. Neither is the river where we spread her ashes or the home where we mourned her. Our friends, the ones who selflessly trudged with us through the pain, the ones who know as much as you can really know, they aren’t coming either. The street lamp will continue burning brightly and the crickets will keep chirping and we will be long gone from the only place on earth that I really knew her.

And it scares the hell out of me.

How will we make friends with people who don’t know this part of our story? How will we handle a place that shows no sign of her? How will we feel connected to her in a place she’s never been?

+++

The packing list for what we will take in our car includes three things so far:

travel pack n’ play
leo mattress
margot

The only thing I know to do, as I leave my home, is to take her with me. In whatever ways I can, in whatever form, however possible it may be. Her ashes will ride in my glove compartment. The rocks from her river will be in a glass jar on the floor near my feet. Her necklace and ornament and the framed picture of water will be carefully packed, safe and sound in the back seat.

And truth is, there ain’t nothing a move can change about the girl who resides in my fractured heart, the girl who has left me for better and for worse. She is there regardless of geography. Regardless of happiness or a subsequent child or death or moving or Christmas presents. I'm the one who carries her memory.

Perhaps that will be enough.

 

Have you moved away from the place where your children lived and died? What was it like? Did it change the way you grieved, the way you thought about them? Can you imagine moving from the place you experienced your loss?

truth

The truth is, my whole life is a process of learning to live this life I did not ask for, want, or ever dream of at any point in my youthful visions. How has your understanding of God, Higher Power and/or grace changed after the death of your baby or babies? What is your relationship with the idea of grace, or stories about "miracles"? Are you jealous of people with faith?

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fortune tellers

 

I root for each fortune teller I meet.

Say her name. Lucy. Lucia. Say it. Mention her.

photo by ManWithAToyCamera.

 

I am like a magpie, and their blinking neon sign the shiny thing I must peck. I am drawn to the gypsy caravan, the crystal ball, the smell of sage and incense, the Zoltar machine, and aura of pure indigo. Each one talks about my failing writing career and my husband, artwork and my marriage, how I myself am psychic, and destined to be a reader myself. Nothing about the daughter that died.

Channel her. Speak her words, share (what must be) her stilted, strange wisdom of never having breathed, yet so grieved. Channel her.

The five buck psychic asks me for a question, and I tell her about Lucia. How she died in me, and how my husband wants another baby, and I am scared this baby will die too. Right before he is born. (This was eight months out from her death, but it feels like today.) I wanted to know why she died. Science failed me. There is no physical reason my daughter died, but surely, there is a metaphysical one. I found the five buck psychic on-line. She sends me her reading four days later. She tells me that Lucia is a Buddha and that she chose me for her last life, so she could heal old wounds, the ones that need the comfort and unconditional love of a womb experience. And she knew that I would be strong enough to handle her death. It was the soul contract we made. I read her email aloud on the way to the airport. We were flying to Panama for a week, taking our grief on vacation.

"Do you find that comforting?" I asked my husband. Unsure if I should be offended or reassured.

"Yes. It is comforting." We were comforted for the rest of the day. The next day, we ceased being comforted and were back to relentless discomfort of baby-death, grief, angst, fear, anxiety, and bitterness.

Still, I find that idea most comforting of all the ideas posited by the religions of the world--that my baby is a holy woman, a wise soul, an awakened being, a Buddha. Her soul released from suffering. That I gave her unconditional love, that she choose this life because I was strong and loving and earth mother-y. Further, I found the idea that I choose this life comforting. Of course, it arrogantly supports the vision I have of myself as capable, loving, selfless, in control, powerful, rather than the truth of it which is that I am chaotic, frightened, humbled, mediocre, out of control, powerless. I found out later that this idea is a Hindu understanding of stillbirth, that the baby who chooses to be stillborn is in their last life before achieving moksha, before being released from the samsara, the cycle of life, death, and rebirth.

Still, that first psychic gifted me with a moment of solace. It wasn't enough, though, I wanted to hear about her from her. I wanted to hear her voice. And so I began my hero's journey through the metaphysical world. In the last three years, I have consulted psychics, tarot readers, astrologers, fortune tellers, palmists, hair readers, angel channels, auric interpreters, shamans and medicine women every few months hoping for a message from my daughter.  And not one of them, until two weekends ago, mentioned my daughter without my prompting. She is gone. Her energy doesn't reside in mine. But I still rooted for them. I thought hard as they pulled cards, sat still in meditation.

All of my writing, my artwork, my entire life changed after I pushed her dead six pound body out of my vagina, surely you can see this on my soul, in my aura. It must be etched in gold, or charred and blackened in the parts of me that once shone. Surely, you must feel it when you touch my hair, look into my palm, read the tea leaves. I can see it, even the cheesemonger can see it when I ask for a pound of provolone. Just say her name. I believe you can.

I watch these psychic shows when no one is around. They are my guilty pleasure. The one with the lady with long fingernails, talking like a mobster. She channels stillborn children here and there, and despite myself I weep, blubber almost. I watch her in the middle of the night, on-demand, so no one can see me almost blubbering. It is babylost porn. She tells the grieving mothers mundane things mostly, confirmation that their children are around them. I just want that. A confirmation of something--that she lived, that she died, that we grieve, that she is a person with a soul, or rather perhaps that I am.

+++

We wear headphones and microphones. It is the Mind-Body Expo and we are nestled on the second floor on the football stadium, tucked in the corner next to the Tibetan arts table. Here there are psychics and soul artists, channels and astral journeyman, reiki masters and healers in modalities I have never heard of, tables of jewelry purporting to open your third eye or connect you to the Akashic records. My sister signs up to see a shaman women. She is barefoot and beats a drum. I waited for the "World Renown Psychic Medium," as her sign states. I read laminated newspaper articles on her table while I waited. She found many missing persons. Well, three.

I have a missing person.

She whispers, "Can you hear me?"

"Yes." My own voice startles me. She tells me about her process and that she will be talking fast. I get a chill and she begins. She tells me that my grandparents are stepping forward.

She holds my hands in her own, and says, "Your grandfather is here. He is holding up two fingers, then a third. Do you have two or three children?"

 I gulp.

"I have two living children, and a child that died."

"Okay. I see you have two in spirit. The miscarried one is a boy. He said he liked the name Michael." That is the only name on our boy list during this last pregnancy so convinced I was that the growing dot in me was a girl. Michael is my grandfather's name. The hairs are standing up on my neck, and in my gut, I know that is true now.

"Your daughter will be reincarnated as your oldest daughter's first child, and your son will be your second grandchild. They will be part of your family again. They have always been part of your family."

The tears fall unself-consciously. I want this all to be true. I want Lucia to be a Buddha, while simultaneously and selfishly, I want her to come back.  I want to hold her again, some day, even as an old woman. I want to bathe her, and feed her rice and beans. It wasn't her voice, but it was the hope that I may see her again. And maybe that was enough.

 

Tell me about your experience. Have you consulted a psychic, channel, medium, palm reader, tarot reader, or other metaphysical worker for insight into your grief? What were you told? Was it comforting or disconcerting? If not, have you considered it? What holds you back?

communion

Lila told me once that she thought Roxy was a tree, and said that she would look for her. Writers throughout history have used trees as symbols of age and wisdom. I think about how Roxy has brought me too much of both, yet somehow I am still grateful. Since your baby's or babies' death, is anxiety or fear part of your communion with your baby? How has your level of fear or anxiety increased? Decreased? What effects has it taken on your interactions with living children or family? 

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Dead babies from the time before

 

Baby Cosmo

Died

When I was

Fourteen

They made

A documentary

About him

We saw his image

On the screen

Of a 30 pound TV

But of course

He never breathed

And we just saw

His ghost on our

Machine.

 

He wasn’t the

First dead baby

I had been

Aware of, grieved

My cousin William

Died

Inside

The womb of my

Uncle’s wife

While they were

Far away

Unseen by me

But missed

And wondered over.

I imagined

Her hurt

Felt something

Approaching empathy

Although I was

Still young enough

To find the whole

Birth thing

Faintly obscene

 

And then another loss

Not mentioned

To me personally

And so I will not speak it here

It is not mine

To share

But I was aware

And felt keenly

The broken dream

Of another family

 

And then some weeks before

My baby died

I spoke to my friend

About her infant brother

Lost just days after

He was born

And we mourned

For him a little

In the car

On the way to work

I remember as we turned

Onto the road

With the lovely violin shop

On the corner

That I felt a sudden

Premonition

I just knew

That one day I would know

That feeling too

I didn’t realise it would be

So soon,

That I would come to

Speak with such

Authority

About small corpses

And their consequences

 

But those four came before

When dead babies were a rarity

 

What was your experience of babyloss before your baby or babies died? When you heard their stories did you ever imagine that it might happen to you?

Coming Home

Sapphira's first child, Shoshanna Clementine, was born at 37 weeks on March 23, 2011. She suffered from pre-eclampsia and went to the hospital to be induced.  After a placental abruption at the cord upon pushing, Sapphira ended up having an emergency c-section.  Shoshanna died three hours after delivery. She shares about herself, "I don't have a blog and hardly write, but I am so grateful to the Glow community that I thought to submit something as an expression of my appreciation and love." In April 3, 2012, Sapphira delivered her second child Julia Zahara. Please welcome Sapphira to this space and join the conversation below. —Angie

"Metaphor is a kind of mental changing room, where one thing, for a moment, becomes another, and in that moment is seen in a whole new way."  —Dr. Mardy Grothe

After Shoshanna Clementine was born and died, I tried to digest what was happening in my life by trying on all kinds of metaphors to explain, understand, or reframe events and emotions surrounding our loss. Different ones worked at various times.  For a long while, I was Indiana Jones jumping from stone to stone, feeling secure and strong with each step, but the earth was furiously shifting up and down, right and left, underneath me, as I ran endlessly to safety.  But none of these metaphors felt lasting, and none of them truly captured what was going on.

Then, one day I was painting with a friend, and a visual metaphor started to emerge, although I only saw it a day or so after the picture was complete.  I painted grass at first—the solid ground.  The pond that was to be next turned into a sea.  The sky followed, vast, taking up more than two-thirds of the picture.  I had to put in a moon, of course, a nod to my father who I always think of when I look at the moon.  As I stared at the open space of sky to the right, a teacher at the studio where we were painting came up to me and suggested I add birds to the scene.  With my permission, he lightly made some squiggle lines, and there was my metaphor.  The three birds were Shoshanna, Seth, and me.

Shoshanna is the largest oneindicating she is closest to the viewer, the one closest to shore, the one leading us back home.  "Let me show you the way," she encourages us.  It is dusk, and I am grateful she is taking us backback to our home that we love so much and back to our hearts--to find that the broken heart we endure is actually more whole than ever before with her help.

I feel like I have been out to seaaway from the worldfar, far away.  With all the navigation systems we have now, I've been able to stay in touch (emailing and texting, lunch dates and movies), but it has been isolating.  And yet Seth and I haven't been alone, really, because there are other people out here on this seaon the waves with us, flying with us in the sky.  Others who have lost a child too. And while I've felt so far away, I have heard the cries of friends and family from the shore and the whispers that have traveled across the waves to let us know that someone else's heart aches too, that someone else misses Shoshanna besides us.

I'm waiting for this metaphor of coming home to shift and no longer apply, another one to replace the next emotion, the next phase.  But, maybe if I also look at my painting as going the other waythat Shoshanna is behind us, as we lead her out to seathen I can give myself the permission to come and go as I please, that I can come home when I need to and go out and cry into the ocean when that is what I need.  For isn't that what being home means?

What does home mean to you? Do you have a painting, song or other metaphor that represents your grief and loss? What is it and how has it shaped your understanding of grief and your life?