to the woman on the airplane
/And I am certain
you will never know what an act of kindness it was
to give up your seat so
I could hold my wife's hand and
lean my cheek on her shoulder
And I am certain
you will never know what an act of kindness it was
to give up your seat so
I could hold my wife's hand and
lean my cheek on her shoulder
All the living people have their own hearts
Functional hearts that beat and slosh their blood through brain and vein
Angry hearts betrayed, broken, wreaking havoc, taking names
Troubled hearts pounding for the pain of strangers
Retentive hearts for memories of rain and safety
Faithful hearts given away with the promise of eternity
Treacherous hearts twisting burning too soon turning
Playful hearts that invert an empty eggshell in its cup and invite their mother to tap it with a spoon
Wistful hearts trembling for midnight and the moon.
My other children grow and speak in different voices
With words I didn’t teach them
And explore their complex hearts
But my daughter’s heart with all its potential for infinite variety
Stilled in my womb and never had expression
And that became my lesson
To live another’s heart and cells and memory
To write her death in all its vile potency
To understand that I’m her only legacy
And there could never be enough
Money to honour her
Voices to speak of her
Or babies to save for her
The world in its entirety could not satisfy her loss
It rests with me to somehow be worthy of her precious heart
And so I end and start
This is my last post for Glow. I often think of my writing as part of Iris' legacy. How do you feel about creating a legacy for your baby or babies? Do you do something "in their name"? What does that mean to you?
She says, "You may be feeling heavy." And I am feeling so heavy, nearly paralyzed. And yet, conscious. The words come out before I think them. My conscious self has stepped aside.
She guides me into a boat that moves backward through time, like a movie about time travel--fall, summer, spring, winter, fall, summer, spring, winter. We dock and she tells me to get out of the boat, and asks me if it is night or day.
Night.
I am twelve, a street urchin, an orphan named John hiding at the docks, stealing food. Men find me and beat me; throw me into the water. It is a short, dismal life. I never knew love. I never relied on anyone.
“What did you learn in this life?”
Survival.
We travel further back.
Is it day or night?
Day.
What are you doing?
Stirring a huge pot in the middle of an old kitchen. A cauldron. I want to be alone with the food. I’ve sent the children to get vegetables from the garden, I’m adding herbs and whispering prayers over the pot.
What are you doing?
Folk.
Like folk medicine?
Yes.
It has been passed down from my grandmother and mother. And it was to protect my children from illness.
Do you do this for everyone?
No, just for my family. I don't want them to know I do it.
Why?
They are afraid and do not understand. They think it goes against their religion. And the women pass it on.
And so, I keep it secret. But the people are getting sick, and I use the herbs to protect my family. I sense that this is magical.
The hypnotist asks me to fast forward to an important time in that life. "Is it day or night?"
Night.
And it was the night of my daughter's first period, and I am teaching her about the herbs. She is crying and afraid of the blood. I show her how to walk in the moonlight and pick the herb and then we whisper all night, trying not to wake the men up. This life is so beautiful and pleasant. I never want to leave. She asks me to look at my daughter, and she asks me who it is, and I say that she looks like my daughter, Beatrice, but not.
Oh, I whisper, it is Lucia.
She moves me to the end of my life. I see myself old in my bed. My daughter holding my head, using a cloth on my face. I am wasted away. It has come quickly, this death. She asks me if I am afraid of death, and I say no. I have had a good life. My children have children, and their children have children. None of the things that happen to families happened to our family. None of my children grew sick and died. The herbs protected us. I can leave now, happily. I ask my daughter to give me belladonna. The men do not know. The women all die the same way. I am so happy to die this way, peacefully, with my daughter there.
We return to now.
Why did Lucia die in this life?
It is our agreement. She just needed unconditional love, and I could provide that for her, even though her death would hurt. And that was part of my suffering in this life. We suffer to remove the obstacles that prevent us from spiritual growth. I need to learn through the suffering of her death.
Learn what?
Learn how to ask for help. Let go of John and his suffering, remember the trust I learned in the life where Lucia was my only daughter. In this life, this one I am living right now, I need to learn to trust again--myself and other people. I need to ask for help.
She helped me die peacefully, and I helped her. I am a moss-covered thing, traveling through the centuries, capturing the reasons for my grief, my aches, my hookable places. There is a peace in knowing I had one life where I mothered her, where I held her, soothed her fears, released her peacefully as she released me.
Do you feel like you had other lives with your children? Have you mothered or fathered them before? Do you feel like you chose this life? How does that feel to you? Is it comforting? Or does it make you angry?
I say goodbye to my husband and walk down the hall into the room. I lay down on the table and silently cry. The doctor holds my hand in her papery one. The anesthesiologist says “Here comes a big glass of wine,” and I go to sleep. Did you know your baby would not survive? Do you wish you did? Alternatively, do you wish you did not know your baby’s diagnosis? Since your child's or children's death, have you wrestled with any decisions you made during or about your pregnancy?
Read MoreI didn’t sleep the night before we went to the hospital when Terra was to deliver our Roxy. I switched back and forth from the couch to the bed. I twitched and breathed. I changed channels. I smoked (I was a born again smoker that day/night). I put my hand on Terra’s shoulder. We didn’t speak. It was such an incredibly terrifying and endless night, that just imagining it now has me shaking in fear that I could be transported back there.
Terror, like I’d never known or ever come close to knowing, at the imagining of what we were getting ready to do: meet our dead child. We were going to see the face of our dead daughter. From the moment on the day before, when we received the news the news (“I’m sorry hon, there’s no heartbeat,” said the ultrasound tech), every panicked darting thought landed on this simple, impossible fact: we were still going to see her, and she would be dead. Having a baby, generally, is kind of scary business. Having a dead baby, however, is like being reborn inside of fear. Your blood is fear. Your teeth are fear. Your thoughts are fear. Your eyes are fear. All sounds are fear. I can still feel it pumping through me almost 6 years later.
There was one, amazing thing though, that this terror did not prepare me for… how amazing it would feel to hold my dead child. How perfect she still felt, in my arms, even as she was gone. It was so calming, just looking at her. Even in death, she brought me some peace that day. She was so familiar to me then, and she still is. Something about her was alive- something that is still inside me. I understood immediately why chimps would carry around their deceased children for days. It really makes no sense to let them go. I guess we never do.
This song is about meeting and holding Roxy, and how the feeling tied in to my first memory of death as a child, when a neighbor somberly walked into our yard with a dying animal in her arms (it actually was a rabbit, not a cat, but well, artistic license and such). All my life, there was something too familiar about death when it showed its face in my life. It sometimes felt and feels like I was being programmed, engineered and prepared for losing Roxy from early childhood. It sounds crazy, I’m sure, but when fate disintegrates your confidence in statistics, I suppose reason goes with it.
The first time I saw you
You walked up from the neighbors
Holding your tabby cat like a
Like a newborn baby
My daddy rolled his eyeballs
Thinking you were crazy
But I had to admit myself, well I
I knew your face right away
I knew your face right away
You were never a stranger
And it felt alright
I carve your name across my wrist
And every day it looks new
I drag my hand along the fence
The way I pictured you might do
And there’s a cat watching
From the other side
Yeah it’s a song I’ve heard
One too many times
I knew your face right away
I knew your face right away
You were never a stranger
And it felt alright
How did you survive your child's delivery? Do you feel you suffer from PTSD as a result of that day (as I most certainly do)? If you chose/were able to see your child, do you feel it brought you any peace?
Our dog, the world's best dog, is a touch over 19 months old now. We got him when he was two and a half months old, four days before A's fifth anniversary. He was tiny, and mostly black. He has probably reached his adult size and weight-- north of 50 lbs-- by now. He's black and tan, a proper and gorgeous Airedale coloring. He is playful and sneaky and gentle and social. He lets little kids, even kids who don't live here, pull his tail and stick their hands in his mouth. I mean literally elbow deep. A one year old's elbow deep, but still. He even lets selfsame shameless shorties take his most prized possessions, his tasty-tasty cleanly polished bones, straight out of his mouth.
Monkey says he's a relaxation aid, because it is impossible, according to her, to sit next to that dog, one arm over him, the other hand petting him, and remain tense. Especially after he twists his head up to declare his appreciation. The dog is a saint.
He is also a damned crazy rat bastard who takes nearly every opportunity to run off for a mad dash around the neighborhood. The woods behind the houses across the street, the back yards of the houses on our side, back and front yards of the houses one and two streets down. As far as we can tell, he never crosses that second street down and never goes farther than one over on the right. He stops by the houses of his doggie friends in the neighborhood for loud and urgent conversations. But mostly he runs, like the wind.
When he's done, he peaceably surrenders to one of us. Next to last time he did this, he actually came to the front door and waited while the search party returned. Oh, did I forget to mention that he's smart? Last year, he dug under the fence so carefully and masterfully that it took us weeks to figure out how he was getting out. Now that we've used that knowledge to close off his escape route, he is reduced to taking advantage of momentary lapses of judgement or inexperienced operation of the front door. But he doesn't run where the cars are (anymore) and he always comes back.
He bounces when he walks, and his tags jiggle. It's a mood-elevating sound, a reassuring one. I remember the first time I caught him after he escaped, I didn't bring the leash with me as I ran out. So walking back to the house, I had him by the collar. I had to bend a bit to keep a good handle on it. I was supposed to've been mad. But the rhythm of his steps next to me, echoed by the rhythm of the tags, and his whole pleased with himself air-- somehow all of that made me feel mostly amusement mixed with tender gratitude that he exists, that he's ours.
Mostly, because there was, also, a familiar ping of anxiety. Not, mind you, anxiety that the crazy puppy could've gotten lost or killed by a car just then. No, anxiety about the fact that someday, hopefully a good decade or more on, someday he will die. This doom-preview is better now, though not entirely absent. I think I just got used to it, acknowledged it into background, if that makes sense. Back at the height of its head-messing reign, this thought would loom the largest during the walking of the dog. Possibly due to the limited multitasking potential of the dog walk, the anxiety would expand to fill most of my headspace. One moment I'd be walking this lovely creature, enjoying the sounds of tag jiggle and his happy little bounce, view from behind, and the next I'd get slammed with the complete certainty that one day he won't be here.
It's not that he is the only creature in the household whose existence causes me anxiety. I am, if we are being honest here, a much more anxious person now than I was before. But with the humans, the anxiety tends to ebb and flow depending on what's on life's menu. And with most of them, rational thought is that they will, most likely, outlive me. The dog, on the other hand, is the only one whose death preceding mine is baked in the cake, barring any catastrophic event or illness on my part. With humans, anxiety is about modicum of control, or maybe just an illusion of it. It's about holding on, hoping not to lose them. With the dog, it's about knowing that I can't.
It's not going to be the same kind of sadness or the same kind of missing. But in getting a dog, we did sign up for an extra dose of that, eventually. I sort of think that living with missing A makes me know that when it happens, I will be ok, terribly sad for a while, but ok. And in the meantime, there's the sound of clinking tags and the consistently high entertainment value of the dog sliding on hardwood as he chases a ball inside the house. And, and, and...
Do you have pets? What do they mean to you? Has your view of your pets shifted at all after the death of your child(ren)? Did you decide to get a pet after? Or has it made you decide not to get one?
Are you more anxious now? Or have you found zen of not sweating most things?
Bereaved parents of lost babies and potential of all kinds: come here to share the technicolour, the vividness, the despair, the heart-broken-open, the compassion, and the other side of getting through this mess called grief.
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Parents of lost babies and potential of all kinds: come here to share the technicolour, the vividness, the despair, the heart-broken-open, the compassion we learn for others, having been through this mess — and see it reflected back at you, acknowledged and understood.
Thanks to photographer Xin Li and to artist Stephanie Sicore for their respective illustrations and photos.
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