Symbols

Symbols

It is a box really, if you ask me. Nailed on four sides, it could be a coffin, except I cannot lie dead in one. Too real. And not true. Instead, I live, dead, stuck in a box, breathing sixteen millimeters of stale, dark air. Some days it feels like a trap, a tricky contraption, carefully designed to stifle me, slowly, painfully, and yes, alive. Other days, it stands empty like a junction, a stop sign, where I paused, before my life took a very wrong turn.

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The solitary in solidarity

The solitary in solidarity

In my conscious attempt to steer clear of catastrophe, I had been focusing too much on the “how,” when it all comes down to “what” and the absence of “why.” That it is always a life too short, a death too soon, and the meaninglessness in between. So I visited Ground Zero last fall and this summer. For the first time in the four years of living barely an hour from it. I stood there in silence, daring to open up to the lives I knew were ripped apart that day. I allowed myself to believe that I knew every single parent, sibling, spouse and child who forever lost a part of their heart that day. I need not imagine. I knew.

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The immortal daughter, the mortal daughter

The immortal daughter, the mortal daughter

During the five days of festivities, the city never sleeps, and millions of people throng the streets all night, decked in their newly-bought finery. Friends and family return from all over the world, and in many homes, the festival also occasions their own daughter’s homecoming, from a city or country thousands of miles away. The festival is about new unions, reunions, of the coming together and being one again, of dispersed loved ones. There is space for all in these festive five days—from the deeply religious to the merely fun-loving.

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