a hard talk

It is my distinct honor to  welcome our newest regular contributor Brianna from  Daily Amos.  In 2010, her first son George was diagnosed with heart failure caused by supraventricular tachycardia at 24 weeks gestation. Over the next four weeks, the doctors tried to slow his heart rate down with medication. After stopping treatment, Brianna developed Mirror Syndrome and had to have an emergency c-section. George died shortly after birth. Brianna brings her wisdom and sharp insights to Glow in the Woods. We are grateful to have her. --Angie

When I was a kid one of my favorite books was Maurice Sendak’s Where the Wild Things Are.  I often imagined myself as Max (and what child who has ever read that book has not done that same exact thing) throwing off the shackles of parental subjugation and escaping to a place where I was beholden only to myself.  To this day I still love that book and get a thrill every time my nearly eighteen-month-old daughter asks me to read it to her and yells, “Max!” as we flip through the pages.  There is something pure and honest in the way Sendak writes about childhood that is completely unique to him, which is probably why his books are beloved by so many people.  Maurice Sendak died last year at age eighty-three having written and/or illustrated hundreds of pieces.  Given the subject matter of what he wrote about I was surprised to discover that he never had any particular fondness for childhood and was more than a little preoccupied with his own death.

During one interview Sendak explains what he believes to be at the root of his morbid obsession.  He tells a story of being a small child, about the age of four, and seeing on the front page of a newspaper a photograph of the remains of “The Lindbergh Baby,” the twenty-month-old child of the famous Charles and Anne Lindbergh who was killed during a kidnapping for ransom attempt.  Sendak goes on to recount how profoundly the image terrified him and that his parents never really adequately addressed his distress.  His parents, in fact, denied that such a photograph existed and insisted that little Maurice must have fabricated the entire thing.  It wasn’t until many years later, long after Sendak’s obsession with the Lindbergh baby had matured and developed into the fixation he had about his own death, did he actually get confirmation that the photograph he claimed to see on the newspaper did actually exist.

I don't know why his parents chose to ignore their son’s obvious difficulty processing what he saw.  Maybe they really believed their four-year-old son had lied about the photograph.  Perhaps they thought convincing him that the entire incident never happened was the best course of action.  I assume they were doing what most decent parents do when faced with uncomfortable situations like these; the best they can.  But whatever the reason behind their decision, the result, at least in Maurice Sendak's mind, was that the little boy grew up to be fixated on his own death.

Watching Sendak recount what a traumatic experience he had with his first encounter with death made me think about the first time I learned about the concept myself.  It was when one of our cats died and I must have been six at the time, maybe seven.  She was a tortoiseshell beauty we called Puzzles, name owed to the interlocking swatches of orange and black fur on her back.  She had been sick and my parents sent us down the street to play at a neighbor’s house while they took her to the vet.  At the time I was not aware that they were taking her there to be euthanized.  I assumed they were taking her to the doctor’s office to get medicine in the same way they did when my sister or I was sick.  They returned later that afternoon, driving on our street past where we were playing outside.  I knew something was wrong when I saw my dad in the passenger seat and that my mother was driving, an unlikely sight in our family.  My sister, four years my senior, must have also known something was wrong as I don’t remember her saying anything to me the entire walk back to the house.  When we arrived we found my dad, with a grim look on his face, along side my mother, waiting for us at the front door.  “Puzzles was too sick to get better,” they told us, and that they “had to help her so that she would no longer be in pain.”  They explained that they had her put to sleep, that she was not going to wake up, and what exactly all that meant.  There might have been talk about heaven and what happens after death but I honestly don’t remember what was said mainly because I don’t think that part of conversation was as jarring as the idea of actual death. 

They brought Puzzle’s body back from the vet’s office so that we could say goodbye by having a funeral for her.  I realized that was why my father had been sitting as a passenger instead of his usual place in the captain’s seat: he had been holding on his lap the body of our much-loved cat, wrapped in plastic and placed in a cardboard box.  Later that day my dad dug a hole in the corner of the backyard under a tree where we said our goodbyes.  It was about as gentle an introductory experience as a child can have to death.  I don’t look back on that memory with any fear or resentment but rather with an appreciation to my parents for making the hard choice to talk to us frankly about such a difficult subject.

In an ideal world the introduction I had to the concept of mortality and death is the one a child should get about such a profound subject.  The introduction should not happen by being faced with a black and white photo of a stranger’s murdered child, or by the death of a sibling, or by watching mama come home from the hospital without baby brother or sister… Sadly though we don’t live in an ideal world.   We live in a crazy, often beautiful but just as often fucked-up, world.   Sometimes children do get murdered and sometimes babies do die.  Some of us do not get to decide when and how our children learn about death…for some of us circumstance chooses for us.

Since George died Leif and I have had frequent conversations about how and when we are going to tell his sister about him and why he died.  I guess in a way we are the luckier ones in the spectrum of unlucky baby loss. He was our first child and so we have the luxury of deciding when our daughter learns that she had a brother. Still I can imagine that no matter how or when we do it I will always wonder if we irrevocably damaged in some way her impressionable young mind.  When she is fifteen and painting her nails black, listening to her generation’s equivalent of The Smiths, I’ll be certain that it is a result of my failure as her mother to adequately address her brother’s death.   When she expresses any hint of anxiety while being pregnant with my grandchild, I will have no doubt that it is because she is convinced that her baby is going to die just like her mother’s did.   I don’t think it is possible to escape those kinds of doubts or, if there is, I’m still trying to figure out a way to it.

The truth is that I am not afraid of telling her about death and mortality, per se.  What does frighten me about explaining to her that her older brother died is the part where I have to expose her to ideas like sometimes bad things happen to good people and that there are not always good reasons for why terrible things happen in life.  I worry about having to explain to her at some point that occasionally even our best efforts are not rewarded with happy endings.  I don’t know how or when as a parent you tell your child these things as it seems to me it must at least partially steal away some innocence, and there is such precious little time they get to keep that as it is.   What I do know for certain is that I will tell her about her brother George and that he died even though we wanted him so badly to stay.  I will do my best to give her honest answers when she asks questions about him, as I know that she inevitably will.  I will make sure she knows that no matter how scary this world is that I love her and her brother so very, very much.  Maybe that is all she needs and the rest will work itself out.  

 

What are your thoughts on discussing the topic of death with children?  Have you had to explain the death of your baby to his or her sibling?  How did you do it?   If you haven’t yet had to address the topic, how will you or how would you do it?  Or maybe you won’t address it.  Tell me why.  What do you wish your parents had told you about death?

a midwinter's night dream

I brush my daughter’ hair off her forehead. We reflect on our day, say some prayers of gratitude to the universe, ask to stay in our bed all night, pray for good dreams. "Mama, I prayed to have a dream of rainbow and unicorns last night, but I dreamed of poopy."

I search her face for cheekiness, but there is none. She is quite earnest. She really did dream of poo. She says she wants to dream of special places, and other people, maybe even people who died.

"Dreams thin the walls between the living and the dead, my love, and even though you cannot pray for a dream and expect it every time, you can ask someone who died to visit you in a dream."

"Like Lucy?"

"Yes, like Lucy."

"I had a dream of Lucy before."

"Did you?"

"Yes, I was playing in the kitchen, and under the stepstool I found twelve ladybugs. The lady bugs came together and formed a girl. She looked just like you with black hair and brown eyes and brown skin. She said to me, 'I won't go back to where I was. Not ever again. I will stay here forever and ever. I can sleep with you if you are scared.'"

"Wow, Beezus, that is amazing. What was she wearing?"

"A red dress with white spots, and she had two little pony tails."

"Like a lady bug."

"I guess so. She was very happy skipping around. She told me and Thomas to get Rodys, and we bounced all around the house while you did dishes."

"I remember that day, Beatrice, because I saw you and your brother bouncing and imagined Lulu bouncing with you too."

"She was there."

"You can play with your sister in your dream. That's amazing. I wish I could play with her in my dreams."

"Just pray for ladybugs, Mama."

+++

I dreamt of Lucia only once. It was before her death. It was the only time I held her alive, and she was just barely alive. Her purple eyes blinked open and I smiled at her. Now, I believe it more a premonition of her death, then a premonition of her life. But naiveté and stupid arrogance couldn’t grasp the idea that the baby in my belly could die. In these four years, I have never felt jealousy of other pregnancies, or living children, or the earth people who never grieve their poor dead babies, but I am jealous of those who dream of their dead as though they live. Even my daughter, (I must whisper now, because I am ashamed of myself) I am jealous that she gets to dream of my baby, even as I want that for her. For everyone. I just want it for me too. A clear portal to our babies that we can access whenever we want.

 

photo by Douglas Brown.

All my prayers and pleadings have not yielded one dream of her. I carry dreaming crystals to bed, place them on my third eye. I drink teas of mugwort and lavender, write my wishes and put them in the pillow, but still nothing. Though I have not dreamt of Lucy since she died, I have winter solstice. I wake in the middle of the longest night, and look at the sky—a dream-like ritual of bitter cold and release. I watch for ravens and northern lights, cover myself in snow and a woolen cocoon that reminds me of the womb that killed her. I keep releasing the anger and guilt around her death, though I will never really release her. All of this, I think, is like inducing a dream of my dead daughter. Perhaps it is a lucid mid-winter's dream of fire and night and blurry meditations, calling to the ravens to bring her soul to me. It transcends solstice and continues through January, February, March...I commune with Winter herself. Winter belongs to my girl, even if she never comes to that particular cocktail party.

It may be presumptuous to take a whole season for my daughter. Though selfishly, I want more. I want the year. Or at least, just the night. I want one dream with my beautiful dead baby of the snow. I deserve it, or maybe not, but I want something more. Not this vast tundra of nothingness, dreams of wastelands, and empty arms, and ravens who tear at the skin of grief, but never carry my daughter with them.

 

Have you had dreams of your child or children since their death? Before their death? What was the dream? Was it comforting or disconcerting? Have your children, or other people, dreamt of your baby or babies? How did you explain it to them? How did you feel about it?

The Answer

The intersection of grief, creativity, and writing remains a place of such deep beauty and personal horror, I stand in awe of people getting their hands and souls dirty in it, exploring it with art, music, and writing. Kenny is a songwriter and musician from Bloomington, IN, whose band Gentleman Caller, has just released their fourth record, Wake (Mariel Recording Company). This record meditates on the loss of his daughter, Roxy Jean, who was stillborn at thirty-eight weeks on August 1, 2007. His music breaks me wide open in such an important way. I learn more about my own grief. Kenny agreed to join us at Glow as a regular contributor where he will be exploring his grief with his wise insights, brutal honesty, and dark humor, and of course through his music and words.  —Angie

In the year following Roxy’s death, I was just hunched, squinting and holding on.  I tried to outrun my thoughts, but they were in every hiding place I ran to.  I self-medicated with booze for a few weeks.  Became an expert on panic attacks. Sometimes I just waited, counting days away from the day she died. There was more comfort in math than hugs. I held on and flailed, as quietly as possible, inside my hollowed-out flesh-cage. I went to therapy, took anxiety meds and tried to get to know and understand my new, messed up self. 

During that god-forsaken year, 3 friends also died early, tragic deaths.  One by house fire.  One by drowning.  One by aneurysm.  All three under the age of 40. It seemed unreal and impossible at first… then, inevitable.  Remember, in The Empire Strikes Back, when Han Solo snaps “NEVER TELL ME THE ODDS!” before successfully flying through an asteroid field?  My life, the lives of my friends and family… ours had become the exact opposite of that.  We weren’t beating the odds, but being destroyed by them, and those odds were giggling.  

Hollowed out by losing my beautiful, dark-haired daughter, and managing my anxiety with medication (prescription and other), I was sliding down and increasingly absent of hope. I started recognizing patterns in the memorial services I was attending. The hollow, crying eyes of the mother, the trembling, shaking hand of the father, all while speakers talked about what the deceased loved, how they loved and who they were… and there was always a song. I was so embittered by all the loss, and death just seemed right around the corner for everyone I loved. I was certain I would not live to be an old man. I felt that no one I knew would. 

So, I decided to write my own funeral song.

I wanted a song that would just tell the bleak truths of my life… a song that wouldn’t put a bow on the end of my life, but a thudding and appropriate period. Somehow, it felt like the bravest thing I could do.

It happened immediately upon returning home after the last memorial service I would attend that year. It took literally the amount of time to write that it does to sing it. It remains, easily, the quickest I’ve ever written a song. It also remains the most cathartic:

THE ANSWER

I did not find the answer in church
I did not find the answer in church
I did not want a god that would not spare the rod
I did not find the answer in church
I did not find the answer in my home
I did not find the answer in my home
I was a stranger to my kin
I was a stranger to them
I did not find the answer in my home
I did not find the answer in school
I did not find the answer in school
I was sucker-punched and thin
I was not like the other kids
I did not find the answer in school
I did not find the answer at the bar
I did not find the answer at the bar
Beneath the stale embrace
I was always out of place
I did not find the answer at the bar
I did not find the answer in prescription drugs
I did not find the answer in prescription drugs
I took every pill they make
But I was still awake
I did not find the answer in prescription drugs
I did not find the answer in your eyes
I did not find the answer in your eyes
Not your hands and not your lips
We were always passing ships
I did not find the answer in your eyes

 What songs, if any, have been a comfort to you since your loss?  What songs can you no longer listen to? What would be your funeral song?

Holding On

KING PHILIP

You are as fond of grief as of your child.

CONSTANCE

Grief fills the room up of my absent child,
Lies in his bed, walks up and down with me,
Puts on his pretty looks, repeats his words,
Remembers me of all his gracious parts,
Stuffs out his vacant garments with his form;
Then, have I reason to be fond of grief?

King John III.iv, William Shakespeare

 

I love the thought of ghosts and lingering souls

Spirits present, dark shadows with intent

I don’t fear eerie noises or the cold

Air shivering in our ancient vents.

And as I want my living children to

 Fulfil their full potential so I wish

For silent Iris to turn poltergiest

Possess my house and lightbulb filaments

Or leave me gothic portents where she can

Prevent calamity or incident.

More than only ash at least, more than

Dust and tears for my lost innocent.

I still hold on despite advice and proof,

Can one let go of nothing? Empty air,

Would she drift off to haunt another womb

If I moved on and left her memory there?

I’m ever fondly constant in my grief,

It must go on, it must go on for her,

There is an odd betrayal in relief,

That loyal in my love I shall abjure. 

 

How do you feel about the possibility of "moving on"? Do you want to?

comfort

There are the nightmares. It had been so long. I almost forgot them. My children kidnapped, shot. I stand in front of the masked men, offer myself up, belly first, like a fertility sacrifice. I wake in a start. I tap into the collective consciousness, the collective anxiety. I tap into the anxiety that is always there. That anxiety resides right in my chest in the place where, when Lucia died, a dragon woke. He coughs little impotent puffs of smoke. 

You can never protect your babies. Not really, his raspy voice whispers. I will wake in you, breathe fire, swoop in low, carry them off. I will fight until your death for them, but only if I can see. So much I cannot see.

Vulnerability seeps out my pores. I dampen shirts with it. The dragon thinks there is real danger, so I dampen him too. I wrap my children in bubble wrap, place them on a low shelf. They tear through my packing tape, giggling and stir-crazy.

WE CAN'T SIT STILL, MAMAAAAAAAAAAA! WE WANT TO RUN!

They run wild, climb walls, jump and twirl and become trapeze artists, skydivers, lion tamers, lumberjacks. And they want to go to school. And I can only see them sitting there while madmen shoot into locked doors. They will always seek freedom and independence the more I seek isolation and protection. I know because I was once them.

Twenty children died on Friday in Connecticut. Another twenty-two children were attacked in China by a knife-wielding man. It happened in a primary school as well. None were killed. As the news came in on Friday, I sat in my daughter's elementary school auditorium, my cell phone video recorder pointed at the stage, watching class after class of children walk onto stage singing holiday songs. It was terrible knowing the news, but I hadn't heard any of the details. I could only think of how small each of them looked, even the big ones. So much smaller than I remember being. When I arrived home, I read that one full class at Sandy Hook had been massacred. I shudder. I visualize one whole class from my town. I just sat in front of six classes of students ages 5-10--their parents hopeful, proud, delighted, enchanted, trusting. It is too much to think about. I turn away, ashamed that I cannot stare at the grief, not completely at first. It takes me a few hours to turn fully toward the young lives, to read the names of the dead, to see their faces. And when I do, the grief steamrolls me, the anxiety overtakes me, the dragon wants blood.

photo by pirindao.

I face east, like Maoi, waiting for answers. The spring moves in, damp and alive, reminding me of tomorrow. I ask the dragon, but he's reeling too. "Nothing to be done," he grumbles. Then south, the deserts offer me a dry breeze, thorns and poison and the elements of survival. The west offers me a damp cloth, and a sip of tea. "Catch your breath, child. I have no answers either." Finally north. I plant my feet firmly on earth, bellow a guttural, throaty noise, more animal than human. The earth opens, slowly I sink until just my eyes stand above ground. No more questions. There are no answers in the snow and frost. Not in the cold. Not in the desert. Not in the sea. Not in the quarters, not in the elements. They understand nothing of humans. The murders are senseless.  I grapple with my footing again. Four years later. The silence cruel and unnerving.

You must look within, the wind creaks. You must look within. You must look for the place that weeps, the place that hides, and ask it to release you. You must answer the question yourself. You must face that grief, because it is another expression of love. There is great beauty in this world. Look at it longer than the murders. Look at the people holding one another. Look at them longer than the murderer.

I weep for the mothers and fathers, the siblings, the grandparents, for the humans who miss everything now, who have to rebuild themselves, who have to find a reason to get out of bed, who have to go through a first year, who have to come to December, like me, and mourn their children. I tear up thinking of the journey they will lead, the peace that will never come. My own loss seems so small, so meaningless. And that is okay. It is. But it was seismic to me, catastrophic even. 

Lucia is dead four years on Friday. All of these losses coexist and don't battle for dominance. My grief and their grief and the grief of a nation, the world. I have to sit with undeniable truths. In this world, babies die. Twenty innocent children die together in the place that everyone considered safest for them. All this mingles together, jumbles up, and I forget for whom I am mourning. And it doesn't matter. Perhaps I should have always been mourning for all the children who die before they've lived, who die by the hands of violence, who die by the random placement of umbilical cords in wombs, who die by knives on the other side of the world. And I was.

My husband and I held each other and cried. Blubbered, even. It has been a long time since we have done that. We talked about the school shootings. "I can't imagine losing a five year old. I couldn't handle it, Angie. I couldn't." 

I know. I couldn't either, except I would have to, and so would you. Because before she died, we said the same, and then we did.

There is nothing left of comfort. It is meaningless, and besides, we need something more than comfort. We need hope, a sheer idiotic belief in something. I take Mr. Roger's advice to look for the helpers, the assistants, the compassion, the grief, the expressions of love, the people throwing themselves in front of bullets, so children don't die. And I think of this babylost community, who holds each other in the face of grief, lights candles, abides when people no longer will. Compassion is all that is left of good.

 

Please use this space to share the ways in which the news of the murders in Connecticut have affected you, your family, and your grief. 

Double cherry

When we were

Eleven

I told on her

And another one of

Our friends for

Being slightly

Snide

About my

New blue blazer.

She was in my class

Very smart

Straight A’s

All the way.

Like me

She struggled

With her body image

Like me

She had a wild heart

That loved the wrong men

Like me

She was ambitious, strong

Worked long, rose high

Like me

Her baby died

And as I stood by her side

As she said goodbye

I wished that we were

Different.

Has anyone close to you also had a baby or babies that died? How did that affect you in your own grief?